Dream Machine
At the start of the internet age, Thierry Mugler gave the fashion world a futuristic fantasy in the former of his fall/winter 1995 couture presentation during Paris Fashion Week, during which supermodel Nadja Auermann channeled a bionic fembot in a reflective silver metal bodysuit. Interestingly, the creation was designed in collaboration with aircraft specialist Jean-Pierre Delcros.
Seeing Double
With the appearance of Ming porcelain blended with baroque style, Guo Pei's 2019/2020 show was truly a work of art.
Seeing Double
Gucci pushed the boundaries for its fall/winter runway in 2018. From the jarring head props to the wild prints and over-the-top layers, this was a show to remember. Of the striking line, Alessandro Michele said, "We are the Dr. Frankenstein of our lives. There's a clinical clarity about what I am doing. I was thinking of a space that represents the creative act. I wanted to represent the lab I have in my head. It's physical work, like a surgeon's."
Little Black...Bra
Chanel is known for more than its famous tweed jackets and diamond-encrusted brooches. Thirteen years after he helmed the fashion house, Karl Lagerfeld pushed the envelope with the 1996 spring/summer collection, which featured itty-bitty bikinis, bum-baring dresses, muzzle-like accessories and more.
Bouquet Beauty
Gigi Hadid traipsed down the runway in a Moschino dress that looked like a literal bouquet of flowers at the spring/summer 2018 show.
Cross the Line
If there's one thing Iris Van Herpen knows how to do, it's steal the show with electrifying pieces. Case in point? The 2012 fall/winter collection was worthy of a museum display. The designer's collaborator, Julia Koerner, summed up the creations, saying they look like "a second skin on the body."
Hair for It
Designer Kerby Jean-Raymond sent fashion fans into a frenzy with this larger-than-life creation. From the multitude of rollers that created a cape-like silhouette to the ultra-chic velvet robe, we were hair for it.
Think Pink
In the wake of the coronavirus pandemic, Claudia Li gave people an escape from reality with unique creations—like this voluminous pink dress, which offered a dramatic neck bow, over-the-top puffed sleeves and layers of ruffles.
Less Is More
Sometimes, being risqué means wearing something as simple as a black bustier and matching trousers. Miley Cyrus' added leather gloves and zebra-print coat gave this Marc Jacobs fall 2020 design more edge.
Red Hot, Hot, Hot
Only Valentino could make something both sexy and sophisticated all in one. This fiery red gown from the 2020 spring/summer runway was proof.
Mother of Pearl
Thierry Mugler debuted this breathtaking gown in 1995, which gave the illusion of a pearl in an oyster. It was a work of art, quite literally, as it was inspired and named after The Birth of Venus painting by Botticelli. And if it looks familiar, Cardi B dropped jaws at the 2019 Grammys wearing the vintage design.
Floral Fetish
Richard Quinn made a case for bondage face masks for the autumn/winter 2020 collection. The juxtaposition of the daring accessory mixed with the virtuous floral print made it a knock-out.
Speaking Volumes
As Mae West once said, "It's better to be looked over than overlooked." It's safe to say all eyes were laser-focused on this one-of-a-kind Comme des Garçons design, which debuted during the fall/winter 2020/2021 collection in Paris Fashion Week.
Got It in the Bag
Moschino always brings electricity to the catwalk with deliciously kitschy and quirky designs—and this cheeky shopping bag dress wasn't any different.
Pretty in Pearls
John Galliano's 1997 runway collection for Dior fused the old with the new. His line was so breathtaking at the time, Bernard Arnault, the CEO of LVMH, compared him to the Christian Dior saying, "He has the same extraordinary mixture of romanticism, feminism, and modernity."
Out-of-This-World
Rick Owens perfectly blended grunge, edge and style for the autumn/winter 2019 collection, in which models sashayed down the runway in futuristic-looking ensembles. The designer summed up his line perfectly, telling Vogue, "I felt like I needed some grim, determined glamour."
Go Big or Go Home
Bold and blinding accents were clearly Schiaparelli's theme for its spring/summer 2021 haute couture collection.
Flower Power
Thom Browne's decadent piece featured an explosion of flowers and mixed patterns for the 2020 Menswear spring/summer show. Let's just say the word "basique" wasn't part of the designer's vocabulary when creating this collection.

